Showing posts with label Hugh Jackman. Show all posts
Showing posts with label Hugh Jackman. Show all posts

Sunday, May 25, 2014

X-Men: Days of Future Past [A Fat Jesus Movie Review]


X-Men: Days of Future Past is one of those Marvel superhero films you can boast about loving, because it truly is good. You can make cases for movies like ThorCaptain America: The First Avenger or even Iron Man 3 being in the group but I beg to differ. I'd rather put this movie in the group of my personal favorites form Marvel over the years. This list includes X2, Spider-Man 2, Iron ManX-Men: First Class and even The Avengers. There's a plethora of things that can go wrong when you're mixing casts from different movies in a given franchise, not to mention this is a movie about time travel. Luckily for all of us, the source material was great, the screenplay worked to a tee and they brought back a veteran director of the series to add that extra little oomph to set it apart from the rest of the superhero movies flooding the market.

X-Men: Days of Future Past follows the story of the X-Men in the distant future. Bolivar Trask's (Peter Dinklage) is assassinated in the 1970s, but his creations, The Sentinels, have taken over a now dystopian earth. Once designed to only eliminate mutants, they grew to a point where they took out anyone standing with mutants as well, sending them all into hiding. A select group of mutants are still surviving, who with the powers of Kitty Pryde (Ellen Page), are able to evade The Sentinels. The group meets up with another group on the run, which consists of Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and Wolverine (Hugh Jackman). They devise a plan to stop the world from ever getting to this point of devastation. Using Kitty Pryde's powers they send Wolverine back in time to stop the assassination of Trask. With the help of young Xavier (James McAvoy), Magneto (Michael Fassbender), Mystique (Jennifer Lawrence), Quicksilver (Evan Peters) and Beast (Nicholas Hoult), Wolverine embarks on last chance, cross era adventure, to save their kind and the world as we know it.

There's a ton of things that can go wrong with a movie involving time travel or anything of the sort in movies, see Looper. This film manages to keep everything fairly straightforward and neat. There are couple of wonky spots, midway through, that you can certainly argue towards being bad. But other than that, they handled to time travel part of this film well. The writing is also good in the character department and really felt like they focused on the heroes (and villains) of  X-Men: First Class, of which we've seen less of, than the people from the first trilogy or even Wolverine. They developed Xavier, Magneto and Mystique even further, while giving us some more of Beast and even introducing Quicksilver. They also did great with the melding of the two sets of characters shown, if they both were on-screen. Like Xavier and Magneto for instance. You see both ends of  the spectrum for each. Seasoned and older, on-screen along with young and less experienced. It's cool to see both characters above, at such different places in time, working towards a what they think is best to change the world and it all plays out so well. The source material is hailed as great, but you have to give major props to the writers who did such a good job adapting it all to a movie screen. This leads me to the story itself which was really cool. Compared to the rest of the series this ranks up there as probably the best overall story told in a setting. With X2 and even The Wolverine to an extent, having good stories. The actors fit characters so well and really embody them at this point in the series. The overall story is set up quickly, giving more time for everything to unfold. There's shock, tension, emotion and humor all paced at the right time, making it all work. Stuff wasn't just through in to be in there or get a cheap reaction.

Speaking of the characters throughout that whole paragraph, the actors that played them did a really great job. I'm still blown away by how well James McAvoy plays Xavier, while Michael Fassbender is such a perfect fit for Magneto. Jennifer Lawrence was better as Mystique this time around, cause she was just kind there in the first film. Evan Peters as young Quicksilver was a great mix of charisma and comedic timing. The CGI scene he got was utterly brilliant to me too and probably one of my favorite parts of the film. The rest of the original trilogy cast was pretty fine as well. Patrick Stewart and Ian McKellen stepped back into their roles as Xavier and Magneto well. The bit of on-screen time Ellen Page had was fun. With Hugh Jackman's part in the movie being major, but not major at the same time. He was fine and got the story going, but once McAvoy, Fassbender, Dinklage and Lawrence took over, it was theirs to handle. Dinklage also added a sort of acting presence as well. As one of the bad guys he did well, probably one of the best acted characters, but I never thought that he was the true bad guy kinda thing. The CGI was also done pretty well in this, especially compared to The Amazing Spider-Man 2. The biggest scene I noticed full of CGI was the scene involving Quicksilver and that scene was awesome to me. The rest of the film was done well and you can tell they didn't want to jam this film full of CGI, so when they had to use it, they made it look good. Felt very much like the CGI was used with the original trilogy members parts and they kept it more "real" for the newer ones from First Class. The action and set pieces were fun as well and I've really never had a problem with the action in a given X-Men film. Big props to Bryan Singer in part to this, as he brought a charm that the first two films had to one this late in the franchise. I really hope they bring him back for X-Men: Apocalypse. The music was pretty good throughout, the run time, of just over two hours, never felt long and scenes never felt draggy either. I love that in a film.

X-Men: Days of Future Past was a blast to say the least. It's one of those movies that just clicked on all cylinders for me. Not to mention the way it altered, or saved if you will, the franchise as a whole. The story, the acting, the action, the humor, the characters, the visuals, just everything worked so well. I loved seeing both McAvoy and Stewart on screen a Xavier, as well as Fassbender and McKellen as Magneto. The rest of the cast did well and Hugh Jackman is still a good anchor as Wolverine at this point in the series. I'm highly excited for X-Men: Apocalypse and this is now the second time in the past few years a main X-Men movie has knocked it out of the park.



Wednesday, November 27, 2013

The Wolverine [A Fat Jesus Movie Review]


I posted a X-Men Superhero Franchise review way back in August when I was going through the X-Men series. You can click the link right there to go view it. In it I remember touting that I was looking forward to a real Wolverine stand alone movie (this film). Also that X-Men: Days of Future Past, could be the best superhero film next year. But this is now, and with The Wolverine getting ready to make it's home release, I thought I'd give you all a little review of it. Ya know, to keep up with all the other X-Men reviews I've churned out. Hugh Jackman is back as the iconic Logan aka Wolverine. There's only one familiar character in this from the previous movies as The Wolverine set out to right the wrong that was the abysmal origins story. It think they righted the ship well enough.

We open The Wolverine with Logan (Hugh Jackman) being imprisoned in a Japanese POW camp near Nagasaki in 1945. After being freed in the wake of the atomic bomb being dropped, he saved an officer name Yashida (Haruhiko Yamanouchi) from the blast. Present day, Logan is living the Yukon, tormented by hallucinations of Jean Grey (Famke Janssen). He is found by Yukio (Rila Fukushima) a mutant who is able to foresee people's deaths. Yukio was sent by Yashida (now CEO of a technology corporation in Tokyo) to get Logan and bring him to him, so that he may repay his debt. When Logan arrives in Tokyo he meets Yashida's son, Shingen (Hiroyuki Sanada) and his granddaughter, Mariko (Tao Okamoto). Yashida, who is dying of cancer, proposes that he transfers Logan's healing abilities to himself, giving Logan the freedom to live life until a timely death. Logan refuses and prepares to leave the next day. That night however Yashida's physician, Dr. Green (Svetlana Khodchenkova), puts something into Logan's body. Logan dismisses this as a dream. The next morning Logan finds out that Yashida has passed away. At his funeral a group of Yakuza gangsters attempt to kidnap Mariko. Logan saves her and is shot, but his wounds aren't healing like normal. Logan begins a journey to not only protect Mariko, but also to find out who (and what) he's become and why Mariko is in grave danger.

Let me start by saying, this movie, location and sometimes story-wise, is all over the place. We got Logan's head games, the Yukon, 1940s Japan AND present day Japan. With all of this scenery in this film, it's less of a jumbled mess than you would think it to be. On the flip side of that it can be confusing what's going on at times. Also the flow feels weird, disjointed at times almost. The action sprinkled in is fine, but the main story around it, feels pieced together like a torn piece of paper. While it fits together in theory, when you're adapting a movie every detail, moment, line doesn't have to translate. Also characters feel rushed. You get good performances out of Hugh Jackman, Wolverine, and Tao Okamoto, Mariko. But everyone else feels like they're just around. Jean Grey is a plot device and doesn't really carry the film. Yukio was is an interesting character that feels like she just drops off the face of the earth from mid-film to the end. While Dr. Green turned out to be one of the enemies that barely has any screen time until the end. All while Yashida is a nice addition and character, that felt bland to me and was highly forgettable. This is a long movie and to have so much that is seemingly forgettable, really brings down the movie. Also, the overuse of Japan can hurt this at times. From the traditional scenes in old style homes/palaces, to the Pancinko building and the Love Hotel. It's feels like they crammed in Japan just because it was the setting. While some of the more traditional places are fine, the bells and whistles are unneeded. Some things like said Love Hotel, jack it up to the umpteenth degree, and at times leaves you with that "Why did they do this?" feeling.

This movie does improve on just about every aspect of it's predecessor. The action is fun throughout. Integrating ninja and samurai, are a little more inviting than the, "Look out, mutant attacks!", we've become used to with the X-Men franchise. The hand to hand combat is fun, Jackman is used well as Wolverine, as you'd expect. This isn't a R-rated film, but I like when a movie can feel brutal and real with fight scenes. The final battle, while clunky, is in a great location and delivers over the course of the battle. Like I said above the story can be confusing and jumpy, but it's a pretty good one. Again it deviates from the traditional X-Men like narrative. It really gives us a glimpse into what adaptions can look like when they use the comics in making a movie. This is excites me cause X-Men: Days of Future Past, is an adaptation and it gives me high hopes that is can be even better than this. I touched on this above, but they also did well for the character development on Logan/Wolverine. We've all gotten used to the gruff and tough, fight first ask questions later aspect. With this we get the softer side of Logan. Battling with his inner demons, and helping those in need selflessly. We finally get that much needed dimension to a character that sorely needed it. Another interesting character they introduced, and my or may not keep around going forward, was that of Mariko. Not a mutant, and not Jean Grey, she is the catalyst throughout the movie that helps Logan get past his issues. She's the pseudo love interest that never really feels like one, but never feels out of place as damsel in distress. They're the anchors of the movie and are played quite well by Jackman and Okamoto. This is a long movie, a little over two hours, so hunker down. At times it feels draggy, but if you can get through the bad, the second half is smooth sailing. The score and music are pretty solid as well, nothing distracting. With the more intimate or action filled sequences sounding fine. Finally, there's a pretty sick mid-credits scene that with get any fan pretty hype.

The Wolverine isn't everything that Origins: Wolverine was supposed to be. But, it does set any future stand alone Wolverine movie in a better place. The story is a little average, and the characters can be forgettable too. But this was a bounce back for Wolverine, and Hugh Jackman, in what looked to be an ailing series. Fun action and a couple of great performances add up to an interesting movie. This is not a power house in the superhero genre, or even within the X-Men franchise. What this does well is set up future movies while keeping one of the series biggest character fresh. Next up, X-Men: Days of Future Past. I'm ready for ya.


Tuesday, February 19, 2013

Les Miserables [A Fat Jesus Movie Review]


This was definitely the movie out of the best picture nominees this year that I had the least interest in seeing. That might be why I took so long to get around to Les Miserables. I'm not into musicals in the slightest, but Russell Crowe, and to an extent Anne Hathaway and Hugh Jackman, were enough to interest me in this. Also while watching finding out Sacha Baron Cohen and Helena Bonham Carter were a sort-of comic relief duo it kept me alert. But this musical turned feature film was a long watch and a struggle for me to like even a little.

Les Miserables follows the story of recently freed slave Jean Valjean (Hugh Jackman). He is freed after 19 years by prisoner guard Javert (Russell Crowe). Who tells him he'll never get anywhere again in life, since he'll always be a convict. One night Jean is fed and given shelter by The Bishop of Dinge (Colm Wilkinson). He ends up stealing a ton of silver and getting caught by the police. The Bishop has mercy on Jean, telling the police it's a misunderstanding, and forgives him. Eight years later, Jean has become the mayor of a town and a successful factory owner. Putting his past behind him. One day there is a dispute between the workers at his factory when a woman, Fantine (Anne Hathaway), is found to have an illegitimate daughter. Cosette (Isabelle Allen) is living in another city with two sleazy inn owners, The Thenardiers (Helena Bonham Carter and Sacha Baron Cohen). Fantine is fired and is forced to become a prostitute to continue sending money to her daughter. Fantine is almost arrested by Javert, she's in terrible condition, when Jean intervenes and saves her. Fantine dies in the hospital and entrusts her daughters life to Jean who is forced to run from Javert who found out who he is. Jean saves Cosette from The Thenardiers and continues running from Javet all as France is in the midst of a revolution.

Oh boy, this was long a long adaptation. I don't mean 55 yard field goal long either. I mean, kicking it from your own endzone long. Sports reference in a review about a French musical, can you tell I miss football? This movie is two and a half hours and since most of it was song, I felt myself just listening to it rather than watching. If you're into musicals (or have seen Les Misrables live) and the like it, I doubt you got bored watching this. But for me, it was just one long dragging scene after the next. I'm assuming the plot and story are taken straight from the play, and it's pretty good. You can tell that they took their time and tried to include all the pertinent information. The story is highly original, which is good considering it's one of the biggest musicals of all time. It's just a shame I couldn't connect well with most all of the characters, and you know all the dragging scenes and the length didn't help this at all. The songs themselves were done well. A lot of them I just tuned out after awhile cause they went on far too long. The cinematography was pretty cool as well. But you can only show these awesome places and sets so many times, in the span of the long two hours, without it losing the initial "Wow Factor" of seeing things.

As far as the characters and acting go, the only one that I cared for following was Javet, played by Russell Crowe. His whole demeanor and transformation throughout the movie was pretty interesting to follow. Fantine, played by Anne Hathaway, was pretty solid and set up the second-half of the movie well. While Sacha Baron Cohen and Helena Bonham Carter as The Thenardiers were pretty solid comic relief in an otherwise serious movie. I guess Jean, played by Hugh Jackman was alright, but he wasn't the strongest and pretty forgettable. Isabelle Allen, was great as a young Cosette, while Amanda Seyfried as grown up Cosette lent no redeeming qualities to a supporting character. The rest were pretty forgettable as I can't think of any other off the top of my head. Only liking and getting into one or two characters out of an ensemble is not the way to make an interesting movie. The singing was pretty good throughout. Russell Crowe really surprised me. You could tell he's not a singer, but shined in his role. Hugh Jackman was a great complement to Crowe in their scenes together as well. Anne Hathway is clearly the best of the main character singers and she did great with her songs. I didn't know Sacha Baron Cohen had pipes, but his comedic scenes were all done well. I liked Helena Bonham Cater in Sweeney Todd and I still like her singing in this as well. There was also a girl I didn't recognize, Samantha Banks, who apparently reprises her role that she had in the musical and never sounded bad.

My main problems with Les Miserables is this length and its characters. While I liked a lot of the singing and the story, the long run time and inability for me to truly invest in anyone, kills any momentum this movie had in my eyes. Russell Crowe and Anne Hathaway's performances will keep you into this if you can't quite get into the early parts of this movie. While the combination of Crowe and Hugh Jackman (with some of the supporting cast) keeping you somewhat engaged till the end. If you've never gotten or been able to see this live, and have wanted to, I'm sure you'll enjoy this heartily. But for people like me, while I see what others would love in this, its not something I can truly like.