Showing posts with label Nicholas Hoult. Show all posts
Showing posts with label Nicholas Hoult. Show all posts

Saturday, May 16, 2015

Mad Max: Fury Road [A Fat Jesus Film Review]


Having just watched the original three 'Mad Max' films this week, I was kind-of unsure what to expect going to see 'Mad Max: Fury Road.' I loved the original trilogy, even though 'Mad Max: Beyond the Thunderdome' was kinda wonky to me. All I did know, is that for the last six months or so, I have been really hyped to see it. Reviews from fans and critics alike, started pouring in over the last week and he overwhelming positivity towards this film was well beyond anything I could have expected. Still, I kept myself in-check, because we all know, critics (like me) are often wrong about a ton of things, so I should always form my own opinions instead of following the leader. I walked in to the theater, found my seat (mid-way down and in the middle of the row) leaned back for the trailers and proceeded not to use the back of my seat for two hours thereafter. 'Mad Max: Fury Road' is now the template of how all pure action films need to be model after. It is truly a non-stop ride from beginning to end, barely giving you time to breath in the middle.

'Mad Max: Fury Road' is set some years after the events of 'Mad Mad: Beyond the Thunderdome' as Australia continues to deteriorate in it's post-apocalyptic wasteland. We join Max (Tom Hardy) as he is captured by the War Boys and is forced to become a "blood bag" for the ill, War Boy Nux (Nicholas Hoult). The War Boys are an army led by a dictator-like king, King Immortan Joe (Hugh Keays-Byrne), who controls everyone's water and food. While all this is happening, Imperator Furiosa (Charlize Theron), one of Immortan Joe's best drivers, begins an excursion to go get gas in her armored War Rig. It soon becomes evident that Furiosa isn't going to collect gas as she is spotted diverging from the the path to the town. An all out chase begins as Immortan Joe, War Boy Nux and by-proxy, Max, alongside the rest of the War Boys begin to chase down Furiosa, as she has smuggled out Joe's prized "possessions," his Five Wives.

Wow, wow, wow, wow, WOW! I thought the chase scenes in 'Furious 7' were amazing (they still are). I also thought the overall action in 'Avengers: Age of Ultron' was great as well (and it still is). Meanwhile, 'Mad Max: Fury Road' completely obliterates what you think you know about modern action and forges a new path. A path lined with bodies of War Boys and smoldering metal wreckage on either side of you, as you pray you're not attacked by Max, Imperator Furiosa, Immortan Joe, The Bullet Farmer or The People Eater. Just by the names alone, aside from Max, you know you're in a new level of creativity, or depravity, when your characters are what you envision naming your gamer-tag on X-Box or PS4. Not only are they creative sounding, they are amazingly designed. With George Miller back at the helm -- he's the man behind the first three films -- you know that in this new modern era, you have to up the ante to grab peoples attention, and boy did he. The menacing, crude, revolting nature of some of these characters are disgustingly satisfying, while perfectly balancing it out with an ample amount of ass kicking eye-candy as well. The design doesn't stop with the character, the amount of time put into the film -- which could almost be considered a two hour long chase scene -- must have been enormous. Sure, there are parts of this film where there's some CGI, but after seeing 'Avengers: Age of Ultron' so recently, the joy of knowing that every car, bike, truck, and even mountain that was destroy, was real, makes everything so much more fulfilling. Combine all this with the great score and music from Junkie XL and the (once again for this series) amazing cinematography, this time from John Seale, everything looks and sounds on point.

This cascades into the action portion of the film, which is the whole portion of the film. I can only imagine drinking some form of energy drink before a viewing of this, because you would probably need 9-1-1 on stand-by if you did. There are momentary lulls in the film that give us a surprising amount of narrative. We learn about that state of the world and why Furiosa is doing what she's doing, among other things. This, of course, is never without the threat of something big lurking in the background ready to crash, shoot or explode all over the screen. The fight scenes are done fantastically and this is where Tom Hardy shines. Whether it's the opening scene of him fighting off War Boys or tangling with a suspended man playing a double headed guitar on a mobile rock concert (did I really just write that?), Hardy brings the essence of Max's survival instinct to the screen. This film doesn't have a ton of dialogue, much like 'Mad Max: The Road Warrior,' and it relies on the action and momentary breathers to convey a lot of the stuff going on. When there is talking though, Charlize Theron shines. The Five Wives can be muddled and frankly, annoying, at times but Furiosa takes everything one step at a time, is prepared for everything and knows what needs to be done. This is what makes the pairing, from a character standpoint, so good. Two people, waiting to survive, with the necessary tools to do so. One with hope, one without, showing that even within all the madness, there a moments of sincerity. This doesn't work without the chemistry of Hardy and Theron, and they play it beautifully.

Side note: 36 years later, the bad guy from 'Mad Max,' Toecutter, is now the bad guy from this film, Immortan Joe. Props to George Miller for getting Hugh Keays-Byrne back, because he was splendid once again.

'Mad Max: Fury Road' is hands down my favorite film of the year so far. This two hour long explosion of action, style and carnage is enough to get anyone into this film if they give it a chance. You don't need to see the first three films to watch and enjoy this, as so far, each film has its own story that it set up within each film. The story, while simple, is merely a back-drop to the action as you'll be mesmerized by every spectacle at a given moment on screen. Car chases defined the first three films and 'Mad Max: Fury Road' is no different. The creativity behind each stunt and set-piece comes across like a train jumping through a traffic jam. Tom Hardy and Charlize Theron shine while Nicholas Hoult, Hugh Keays-Byrne and the Five Wives support tremendously. 'Mad Max: Fury Road' may have set a new bar for the action genre, and doing it with limited CGI, just makes everything all the better.


Sunday, May 25, 2014

X-Men: Days of Future Past [A Fat Jesus Movie Review]


X-Men: Days of Future Past is one of those Marvel superhero films you can boast about loving, because it truly is good. You can make cases for movies like ThorCaptain America: The First Avenger or even Iron Man 3 being in the group but I beg to differ. I'd rather put this movie in the group of my personal favorites form Marvel over the years. This list includes X2, Spider-Man 2, Iron ManX-Men: First Class and even The Avengers. There's a plethora of things that can go wrong when you're mixing casts from different movies in a given franchise, not to mention this is a movie about time travel. Luckily for all of us, the source material was great, the screenplay worked to a tee and they brought back a veteran director of the series to add that extra little oomph to set it apart from the rest of the superhero movies flooding the market.

X-Men: Days of Future Past follows the story of the X-Men in the distant future. Bolivar Trask's (Peter Dinklage) is assassinated in the 1970s, but his creations, The Sentinels, have taken over a now dystopian earth. Once designed to only eliminate mutants, they grew to a point where they took out anyone standing with mutants as well, sending them all into hiding. A select group of mutants are still surviving, who with the powers of Kitty Pryde (Ellen Page), are able to evade The Sentinels. The group meets up with another group on the run, which consists of Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and Wolverine (Hugh Jackman). They devise a plan to stop the world from ever getting to this point of devastation. Using Kitty Pryde's powers they send Wolverine back in time to stop the assassination of Trask. With the help of young Xavier (James McAvoy), Magneto (Michael Fassbender), Mystique (Jennifer Lawrence), Quicksilver (Evan Peters) and Beast (Nicholas Hoult), Wolverine embarks on last chance, cross era adventure, to save their kind and the world as we know it.

There's a ton of things that can go wrong with a movie involving time travel or anything of the sort in movies, see Looper. This film manages to keep everything fairly straightforward and neat. There are couple of wonky spots, midway through, that you can certainly argue towards being bad. But other than that, they handled to time travel part of this film well. The writing is also good in the character department and really felt like they focused on the heroes (and villains) of  X-Men: First Class, of which we've seen less of, than the people from the first trilogy or even Wolverine. They developed Xavier, Magneto and Mystique even further, while giving us some more of Beast and even introducing Quicksilver. They also did great with the melding of the two sets of characters shown, if they both were on-screen. Like Xavier and Magneto for instance. You see both ends of  the spectrum for each. Seasoned and older, on-screen along with young and less experienced. It's cool to see both characters above, at such different places in time, working towards a what they think is best to change the world and it all plays out so well. The source material is hailed as great, but you have to give major props to the writers who did such a good job adapting it all to a movie screen. This leads me to the story itself which was really cool. Compared to the rest of the series this ranks up there as probably the best overall story told in a setting. With X2 and even The Wolverine to an extent, having good stories. The actors fit characters so well and really embody them at this point in the series. The overall story is set up quickly, giving more time for everything to unfold. There's shock, tension, emotion and humor all paced at the right time, making it all work. Stuff wasn't just through in to be in there or get a cheap reaction.

Speaking of the characters throughout that whole paragraph, the actors that played them did a really great job. I'm still blown away by how well James McAvoy plays Xavier, while Michael Fassbender is such a perfect fit for Magneto. Jennifer Lawrence was better as Mystique this time around, cause she was just kind there in the first film. Evan Peters as young Quicksilver was a great mix of charisma and comedic timing. The CGI scene he got was utterly brilliant to me too and probably one of my favorite parts of the film. The rest of the original trilogy cast was pretty fine as well. Patrick Stewart and Ian McKellen stepped back into their roles as Xavier and Magneto well. The bit of on-screen time Ellen Page had was fun. With Hugh Jackman's part in the movie being major, but not major at the same time. He was fine and got the story going, but once McAvoy, Fassbender, Dinklage and Lawrence took over, it was theirs to handle. Dinklage also added a sort of acting presence as well. As one of the bad guys he did well, probably one of the best acted characters, but I never thought that he was the true bad guy kinda thing. The CGI was also done pretty well in this, especially compared to The Amazing Spider-Man 2. The biggest scene I noticed full of CGI was the scene involving Quicksilver and that scene was awesome to me. The rest of the film was done well and you can tell they didn't want to jam this film full of CGI, so when they had to use it, they made it look good. Felt very much like the CGI was used with the original trilogy members parts and they kept it more "real" for the newer ones from First Class. The action and set pieces were fun as well and I've really never had a problem with the action in a given X-Men film. Big props to Bryan Singer in part to this, as he brought a charm that the first two films had to one this late in the franchise. I really hope they bring him back for X-Men: Apocalypse. The music was pretty good throughout, the run time, of just over two hours, never felt long and scenes never felt draggy either. I love that in a film.

X-Men: Days of Future Past was a blast to say the least. It's one of those movies that just clicked on all cylinders for me. Not to mention the way it altered, or saved if you will, the franchise as a whole. The story, the acting, the action, the humor, the characters, the visuals, just everything worked so well. I loved seeing both McAvoy and Stewart on screen a Xavier, as well as Fassbender and McKellen as Magneto. The rest of the cast did well and Hugh Jackman is still a good anchor as Wolverine at this point in the series. I'm highly excited for X-Men: Apocalypse and this is now the second time in the past few years a main X-Men movie has knocked it out of the park.



Wednesday, February 27, 2013

Warm Bodies [A Fat Jesus Movie Review]


I love zombie movies and it's probably my favorite sub-genre of horror. From the original (and remake) of Dawn of the Dead to comedy inspired ones like Shaun of the Dead and Zombieland, I'm a fan of zombies. I can agree with people who criticize that the zombie genre is over-done, but if you find the right movie, zombies can bring life to a good flick. There are a ton of bad zombie films lately. So going into one that turns the genre into a rom-com, well, it had me apprehensive. But Warm Bodies is a breath of fresh air to what can be a very "zombie" genre.

Warm Bodies follows the story of a zombie named R (Nicholas Hoult). Since the zombie apocalypse R spends his days pondering about his new life as a zombie while wandering around an airport. He lives in abandoned airplane and even has a friend, M (Rob Corddry). One day, he leads a pack, very slowly, in search for food. R and the rest of the zombies crave human brains, and when they eat brains they get the memories of who they eat. The pack runs into a group led by Perry Kelvin and Julie Grigio (Dave Franco and Teresa Palmer) with their friend Nora (Analeigh Tipton) with them too. They are sent out to scavenge for supplies from the leader, Colonel Girgio (John Malkovich), Julie's father, as they now live in a walled of city. R sees Julie and is strangely attracted to her. Perry shoots R in the chest, which prompts him to attack and eat Perry's brain. This only makes his infatuation grow and R rescues Julie from the rest of the horde and takes her back to his airplane. R could be regaining his once human form, and in this wasteland, Julie may be his unlikely cure.

I really liked this movie and it all started with the way they portrayed R as a zombie. They kept him zombie-like (obviously), but gave him an inner monologue. Which turned out to be a great addition to this movie. R was funny when it needed to be and got to the point when R needed to as well. From explaining what happened to the earth to start out the film, to thoughts and information about his emotions throughout, R was made perfectly. Hats of to Nicholas Hoult for his portrayal as well. More of that to come though. The character development was more or less limited to R and Julie (to an extent Perry). But that's really all you needed in this movie. Julie and R's relationship is the meat of this movie. Even with R not having much out-loud speaking, the gestures (and grunts) by R combined with the intuitive nature of Julie, make this relationship work. With the more subconscious development going to Perry as R remembers Perry's memories. The story is pretty original, and kinda gooey (in more than one sense of the word). But this is still a completely standard romantic comedy. Julie loses Perry, is "saved" by R, she leaves R and then they a reunited in the end. It's even got the teen-esque "father forbidding the relationship" story-line we've seen in a ton rom-coms over the years.

Johnathan Levine did a great job in directing this film and the scenes were done well. Zombies look, well like zombies. With the blood and gore, while scaled back, looking good on-screen. I liked his previous two films in The Wackness and 50/50 but this is still his weakest of his three latest. His screenplay adaptation of the book, by Issac Marion, leaves something to be desired. Everything was done well, but this is full of unnecessary stuff. There were a lot of times I felt myself bored and just wanting the story to continue. This isn't a long movie, but you don't want it to feel like a long movie either. But that's another one of the problems that occurs here. The movie is brought back by the acting of Nicholas Hoult and Teresa Palmer. The on-screen chemistry between the two is great. Nicholas Hoult, in both acting and the voice-over thoughts, gives the strongest performance of the movie. Teresa Palmer also gives the love interest a little bit of spice as she does well as the lead actress in this. Rob Corddry was a great supporting comedy role and Dave Franco was good as the deceased ex-boyfriend. John Malkovich was a good protective leader with Analiegh Tipton filling in as Teresa's best friend well enough. The acting, while not outstanding aside from Nicholas Hoult, could've done a way worse job in a movie like this.

This is the first real toss-up for me this year I think. While Warm Bodies leaves a lot to be desired, it's a fresh take on the stale genre. With good to great performances by the the entire cast, this is crippled by unnecessary stuff littered throughout. I think it was made for guys who wanted to go on a date night. The zombies, action and violence keep the guys involved, while letting the ladies get into the emotional parts of the movie. Overgeneralization here, I know, forgive me. This has a lot funny moments as well as a good story. It think if you can get into this early, it'll carry over to the rest of the film. But if you're like me at all, a lot of the dragging stuff will leave you wanting to be a zombie yourself.