Showing posts with label Halle Berry. Show all posts
Showing posts with label Halle Berry. Show all posts

Sunday, May 25, 2014

X-Men: Days of Future Past [A Fat Jesus Movie Review]


X-Men: Days of Future Past is one of those Marvel superhero films you can boast about loving, because it truly is good. You can make cases for movies like ThorCaptain America: The First Avenger or even Iron Man 3 being in the group but I beg to differ. I'd rather put this movie in the group of my personal favorites form Marvel over the years. This list includes X2, Spider-Man 2, Iron ManX-Men: First Class and even The Avengers. There's a plethora of things that can go wrong when you're mixing casts from different movies in a given franchise, not to mention this is a movie about time travel. Luckily for all of us, the source material was great, the screenplay worked to a tee and they brought back a veteran director of the series to add that extra little oomph to set it apart from the rest of the superhero movies flooding the market.

X-Men: Days of Future Past follows the story of the X-Men in the distant future. Bolivar Trask's (Peter Dinklage) is assassinated in the 1970s, but his creations, The Sentinels, have taken over a now dystopian earth. Once designed to only eliminate mutants, they grew to a point where they took out anyone standing with mutants as well, sending them all into hiding. A select group of mutants are still surviving, who with the powers of Kitty Pryde (Ellen Page), are able to evade The Sentinels. The group meets up with another group on the run, which consists of Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and Wolverine (Hugh Jackman). They devise a plan to stop the world from ever getting to this point of devastation. Using Kitty Pryde's powers they send Wolverine back in time to stop the assassination of Trask. With the help of young Xavier (James McAvoy), Magneto (Michael Fassbender), Mystique (Jennifer Lawrence), Quicksilver (Evan Peters) and Beast (Nicholas Hoult), Wolverine embarks on last chance, cross era adventure, to save their kind and the world as we know it.

There's a ton of things that can go wrong with a movie involving time travel or anything of the sort in movies, see Looper. This film manages to keep everything fairly straightforward and neat. There are couple of wonky spots, midway through, that you can certainly argue towards being bad. But other than that, they handled to time travel part of this film well. The writing is also good in the character department and really felt like they focused on the heroes (and villains) of  X-Men: First Class, of which we've seen less of, than the people from the first trilogy or even Wolverine. They developed Xavier, Magneto and Mystique even further, while giving us some more of Beast and even introducing Quicksilver. They also did great with the melding of the two sets of characters shown, if they both were on-screen. Like Xavier and Magneto for instance. You see both ends of  the spectrum for each. Seasoned and older, on-screen along with young and less experienced. It's cool to see both characters above, at such different places in time, working towards a what they think is best to change the world and it all plays out so well. The source material is hailed as great, but you have to give major props to the writers who did such a good job adapting it all to a movie screen. This leads me to the story itself which was really cool. Compared to the rest of the series this ranks up there as probably the best overall story told in a setting. With X2 and even The Wolverine to an extent, having good stories. The actors fit characters so well and really embody them at this point in the series. The overall story is set up quickly, giving more time for everything to unfold. There's shock, tension, emotion and humor all paced at the right time, making it all work. Stuff wasn't just through in to be in there or get a cheap reaction.

Speaking of the characters throughout that whole paragraph, the actors that played them did a really great job. I'm still blown away by how well James McAvoy plays Xavier, while Michael Fassbender is such a perfect fit for Magneto. Jennifer Lawrence was better as Mystique this time around, cause she was just kind there in the first film. Evan Peters as young Quicksilver was a great mix of charisma and comedic timing. The CGI scene he got was utterly brilliant to me too and probably one of my favorite parts of the film. The rest of the original trilogy cast was pretty fine as well. Patrick Stewart and Ian McKellen stepped back into their roles as Xavier and Magneto well. The bit of on-screen time Ellen Page had was fun. With Hugh Jackman's part in the movie being major, but not major at the same time. He was fine and got the story going, but once McAvoy, Fassbender, Dinklage and Lawrence took over, it was theirs to handle. Dinklage also added a sort of acting presence as well. As one of the bad guys he did well, probably one of the best acted characters, but I never thought that he was the true bad guy kinda thing. The CGI was also done pretty well in this, especially compared to The Amazing Spider-Man 2. The biggest scene I noticed full of CGI was the scene involving Quicksilver and that scene was awesome to me. The rest of the film was done well and you can tell they didn't want to jam this film full of CGI, so when they had to use it, they made it look good. Felt very much like the CGI was used with the original trilogy members parts and they kept it more "real" for the newer ones from First Class. The action and set pieces were fun as well and I've really never had a problem with the action in a given X-Men film. Big props to Bryan Singer in part to this, as he brought a charm that the first two films had to one this late in the franchise. I really hope they bring him back for X-Men: Apocalypse. The music was pretty good throughout, the run time, of just over two hours, never felt long and scenes never felt draggy either. I love that in a film.

X-Men: Days of Future Past was a blast to say the least. It's one of those movies that just clicked on all cylinders for me. Not to mention the way it altered, or saved if you will, the franchise as a whole. The story, the acting, the action, the humor, the characters, the visuals, just everything worked so well. I loved seeing both McAvoy and Stewart on screen a Xavier, as well as Fassbender and McKellen as Magneto. The rest of the cast did well and Hugh Jackman is still a good anchor as Wolverine at this point in the series. I'm highly excited for X-Men: Apocalypse and this is now the second time in the past few years a main X-Men movie has knocked it out of the park.



Thursday, April 18, 2013

The Call [A Fat Jesus Movie Review]


This is definitely one of the first WWE Studios productions to ever really interest me in the slightest. Most WWE movies are just terrible straight to DVD releases with a superstar shoved down our throats. But things are a bit different with The Call and to a lesser extent, Dead Man Down. As far as theatrical releases go, it seems like WWE Studios may try to actually be a production company. The Call has a real story, with recognized actors in the lead role. Yes, David Otunga is in it, but this is the first time I've felt like a "WWE Movie" was actually a legitimate movie. Also it's not a terrible movie overall, so it seems as things may be trending upward a bit for WWE Studios.

The Call follows the story of Los Angeles Police Department 911 operator Jordan Turner (Halle Berry). She is one of the best operators, always professional and never panics, no matter the call. One night she receives a call from Leah Templeton (Evie Thompson), a teenage girl who fears her life as a man is breaking into her house. Jordan's instructions allow Leah to evade the intruder, but the call disconnects. Jordan calls the number back, allowing the intruder to hear the ring and get to Leah. The next day a Jordan comes in for work she finds out that Leah has been found dead. Jordan confides in her boyfriend, Officer Paul Phillips (Morris Chestnut) that what happened has shaken her a bit and she can't take calls anymore. Six months later Jordan now works as a trainer for 911 operators. One day the same man who kidnapped and killed Leah, has now kidnapped Casey Welson (Abigail Breslin). Casey is taken as she is heading to her car in a mall parking garage. A rookie operator gets the frantic call by Casey who is freaking out in this man's trunk. She cannot handle it so Jordan takes over for her for the first time in six months. Because Casey is using a prepaid phone, they can't get an exact lock-on her position. Jordan has to coach Casey through an improbable situation and have her leave enough of a trail so that she can be found. The LAPD, with the aid of Officer Phillips, his partner Jake Devans (David Otunga) and Jordan aim to rescue Casey as quickly as possible and get her home safe and sound.

This movie suffers from the dreaded sports saying that goes, "It was a tale of two halves". The story is pretty original, and it's a shame that it takes such a dive in about the last third of the movie. It keeps you engaged, builds the suspense and has more than enough action. But then the third act, if you will, starts and it turns into a watered down version of Taken almost. I liked the story, up until this point, and it really beings down my overall liking of a film that I was kinda looking forward to. Don't let this discredit the performances by Halle Berry or Abigail Breslin. These two are a feminist's dream team in this movie. I don't know if it was the writes goal to make this a female empowered movie, of sorts, but to me that's how it turned out. I haven't liked Halle Berry before 2012 and Cloud Atlas, since 2003s Gothika, but this was a really good performance that I got into. You could feel the emotion she put into the character and she really felt like she embodied Jordan. Props out to Abigail Breslin as well, since I haven't liked anything she's done aside from the masterpiece Little Miss Sunshine, as well as Zombieland. She played the role as, like Halle, if she were Casey. The emotion came through, to a lesser extent, but was good enough to have the two leads actually lead the film. The rest of the cast, aside from the kidnapper, played by Michael Eklund, was wholly bland and completely forgettable. Nothing bad per se, just nothing really standout.

Here's where I have problems with this movie. The story is fine, till the end. The acting by the leads, more than good enough for a movie like this. But it's pretty short, and things almost feel rushed. I mean sure, they may want the feel of the police scrambling to get to the girl, but that doesn't mean you have to skimp on character development or rush a scene. Take 10 more minutes to show Jordan and Paul at home or on a date. Maybe something like Jake and Paul meeting for the first time too. Just something to get me into another character besides the main to. Plus it adds some back-story and a little bit extra time to a decent attempt at a thriller. The other big problem I have is the shift at the end of the movie. This may be a bit spoiler-ish, so be forewarned. It goes from "Get the girl home safe" to "I'm going to take the law into my own hands". The whole movie you have Jordan built up as the woman who follows the rules and gets stuff done. Then all of the sudden she's Liam Neeson trying to get his wife and daughter back. While I would understand if she was made as someone to break the rules, the sudden shift was so out of character it left me wondering why it was written the way it was. Out of place violence caught me off guard, and while it doesn't bother me, I was not expecting it going in to this. Quick and unnecessary camera cuts and even the lacking of good action in the action scenes all add up to more things wrong than right with this movie.

Even after all the harshness in the paragraph before The Call was still a very decent movie. The story is one, that while lacking, is original enough to keep you into it. With the performances of Halle Berry and Abigail Breslin being good enough to fill in for the so-so story line. There is problems with this, as you've read. The lack of character development and the downfall of the last part of the movie leaves a lot to be desired. But in the end, despite overall critical reception, that this is a decent movie and will do wonders in the progress of WWE Studios going forward. Just don't give me something like The Marine 16 or Knucklehead 4, please.