Showing posts with label Ben Affleck. Show all posts
Showing posts with label Ben Affleck. Show all posts

Friday, March 25, 2016

Batman v Superman: Dawn of Justice [A Fat Jesus Film Review]


Like many of you other comic book fans, superhero nerds and "You da bomb in Phantoms, yo!" enthusiasts, "Batman v Superman: Dawn of Justice" was finally supposed to be DC's answer to the Marvel Cinematic Universe. Zack Synder is back directing and is aiming to set up DC's Justice League in the coming years. Henry Cavill, who I thought was alright in that film that was "Man of Steel" a few years ago, Ben Affleck aka new Batman, Jesse Eisenberg as "Mark Zuckerberg" Luthor and Gal "I don't look Amazonian, but I'm Wonder Woman" Gadot are the four leads in this. Though you could totally see that Lois Lane, played by Amy Adams, has more story and screen-time than her. Unfortunately for Synder, his track record is far from perfect and concerns that have been building as the trailers and tidbits have been filtering in are founded in a lot of places in this film. Nonetheless Warner Brothers have staked a lot in this build towards the Justice League. It's just too bad that what could've amounted to a great story, with meaningful characters and cool action, is turned into a bleak, dark decent into the egos and tragic backstories that overtake everything else in the film.

"Batman v Superman: Dawn of Justice" takes place in the aftermath of the General Zod and Superman (Cavill) battle in Metropolis at the end of "Man of Steel." Bruce Wanye (Affleck) is trying to get to Wanye Tower during the fight and watches and Metropolis is torn apart. Fast forward a year and a half and the world is either embracing Superman as a god that will save them or wondering if he will turn on them. Wanye is on the side that blames Superman for killing the thousands of lives. Tech mogul Lex Luthor (Eisenberg) is also under the same mindset, asking the supreme court to use newly found Kryptonite to have an ace in the hole. What follows is a cat and mouse game between Superman battling with his own identity on earth, Lex Luthor plotting a grand scheme and Batman fighting past his inner demons to take down a planet-wide threat. With Wonder Woman lurking in the background, the world will be forever changed after this battle is over.

This film goes by quickly and it's two and a half hours. Much of the first half of the film we're jumping around from location to location at blazing speeds like we're looking at different paintings while on a bullet train. Metropolis, Gotham, the desert, old Wayne Manor, along with flashbacks, dreams, phantoms and time bending. A lot of things happen, and it's though to keep an idea of where we are in the film at a given moment. It's like a machine gun of locations and scenes that could use major editing if an eventual extended cut is released, because watching this film could be pretty confusing at times. To go along with this blitz of scenery, we get a bland and similar character portrait of four characters. Lois Lane, who is eternal damsel in distress plot device and used a bait throughout the entirety of the film. Lex Luthor, who is more psychotic and unhinged, than I thought he'd be. Almost Joker-like at times for some reason. Superman, who is now earth's tangible god, is struggling over whether or not being a god is helping or hurting humanity. Batman, who is well, Batman. All of this makes for an incredibly bleak film that's very dark from start to finish. There's not much that the actors could've done with what they were given as everyone was as good as they were going to be all things considered. Ben Affleck is a great Batman and was the standout of the film for sure There's a few spots that will make you smile, but as a whole the tone is very grim and I really wasn't expecting it to be this downer. Either way the writing of these characters and the overall story is such a bad way to deal with everything that it brings up. Wonder Woman is around too, but we only get a glimpse into her powers and style. What we do see is pretty bad-ass desipte me not being totally down with her look. They shoehorned, into the middle of the film I kid you not, a scene where she looks at .AVI's of the upcoming Justice League cast (Flash. Aquaman and Cyborg). It was such a jarring, unsubtle and unnecessary scene, I wonder why it was included in the middle of the film. Take a cue from your successful rivals and be more subtle with your self promotion.

Most notably "Batman v Superman" brings up the idea of God, having a god, hating god or not believing in a god altogether. Not only that, if this god were real and in front of us, do (or can we) control him. Superman is now this earth's god. Saving people in dire need and keeping a semblance of peace seemingly anywhere in the world. The, of course, United States government is the lead on possibly corralling Superman. But it's never fleshed out as more than an outspoken senator trying to get Superman to come before the court. For a bit, we're shown what Superman has done in the 18 months since the first film. At times we're shown him saving a woman in a crowd of worshipers, while in others there's a huge crowd aiming to have his head. But this is all it ever amounts to. Batman tries to keep the "idea" alive, but as the film moves along it becomes less about this big world changing man and more and more about the plot moving forward and the bad guys being triumphed over. You could argue the slow ending after the final climactic battle brings the idea full circle, but if it hadn't been forgotten amidst the CGI beat down before the closing moments would have felt better than it did. I certainly don't think Superman, or one overall god, would be the man who unites the world into one kumbaya either. Though that idea is nice, I'd rather not have religious wars and attacks, I don't think one man alone will ever untie the world in a perfect way like this. All this is muddied because of the backstories and inner turmoil of Superman and Batman seeping into everything, so it's all a moot point anyway.

All in all "Batman v Superman: Dawn of Justice" is a long film that feels completely rushed, has bland characters and only alright CGI. Even Affleck and the Wonder Woman dive in couldn't help a lot of this. The dark tone is at times overwhelming and the choices for the characters personalities is odd at best. I thought the drama build amidst all of this was good and if the character insight and development was better, it could've be great. The action, when it does ramp up near the end is pretty fun, though I wish they had chosen one iconic story instead of mashing two (The Dark Knight and The Death of Superman) into this film. Can we get Snyder away from superheros too, he peaked at "The Watchmen." I'm not sure if I actually liked the film yet, but I know for sure I didn't hate it. There's good things and a lot of missteps that people will no doubt harp on relentlessly. This is probably worthy of the hate it's getting, but that doesn't mean that it's that bad. This is a dark toned film with iconic characters and alright action. Let's just hope the rest of the build to Justice League isn't this middle of the road. 


Monday, December 15, 2014

Gone Girl [A Fat Jesus Quick Hit]


David Fincher is one of my favorite directors of all time. He's directed spectacular films such as 'Zodiac', 'Fight Club' and 'Seven.' So when it was announced that he was directing 'Gone Girl', a thriller based off the novel of the same name, I was immediately interested. Then the cast was revealed. With Ben Affleck, Rosamund Pike and Neil Patrick Harris landing roles, everything had me hooked. I love dramas, mysteries and thrillers and 'Gone Girl' is a fantastic one, one of the best of the year.

'Gone Girl' follows the story of Nick Dunne and his wife Amy (Ben Affleck and Rosamund Pike). One night, Nick is coming home on his fifth wedding anniversary and upon arrival, he finds that Amy is missing.  The disappearance garners nation media attention because Amy is the author of a popular children's book series 'Amazing Amy.' Suspensions start to swirl that Nick is behind the disappearance, due to his awkward nature being misinterpreted by the media. The investigation by authorities turn up evidence that the two were in a bit of financial trouble and that their marriage may be disintegrating. It also turns up that Amy tried to purchase a gun, evidence of domestic problems and of a struggle. Finally, they find a medical report indicating that Amy may be pregnant. Nick says that has no knowledge of this. The evidence is mounting and the disappearance may not be a disappearance at all. The clock begins ticking to find Amy and for Nick to clear his name as well.

I was enthralled by this film from start to finish. I've never read the novel, but the overall look and characters suck you into the story, and world, very quickly. The story is highly original, and will keep you engaged throughout the film. It falters a little bit in the middle, but overall was very enjoyable from start to finish. David Fincher has always been great at setting the tone of a film and 'Gone Girl' is no different. The dark tone is perfect for a story of this nature and Ben Affleck is the perfect lead in this type of film. Ben Affleck turns in one of the better performances of the year. He is complimented well by Rosamund Pike as the "damsel in distress" with a dark side. This is easily her best performance of the year and carries her half of the film exceptionally. The two give powerful performances and take this film to the next level. You get to see the dark side of what fame, combined with a faltering marriage, can turn into, firsthand. Neil Patrick Harris and Tyler Perry turn is great supporting performances as well. Surprisingly, Media doesn't so up so that made this film about a million times better too. This films runs long, but it never feels long, clocking in at about two and half hours. The score is bone chilling and one of the better scores of the year. As said above, the look is superb and it's one of the best looking films of the year.

'Gone Girl' isn't one of David Fincher's top films, but it is still an outstanding film in it's own right. The story is really good and when you couple it with Affleck and Pike's acting, it becomes one of the best acted films of the year. The overall haunting feel of the film adds an anxious dimension to the film, that will keep you on the edge of your seat until the credits roll. If you're a fan of thrillers, then this film is for you. Even if you're not a fan of this type of film, you should give it a try. It's one of the top films of 2014.


Monday, April 8, 2013

Clerks II [A Fat Jesus Movie Review]


You all know that I love Kevin Smith and the majority of his movies. I've written a full review on Clerks earlier in the year and I'm more than excited that Kevin Smith has started up on the Clerks III script in recent weeks. But this is about Clerks II, Smith's follow up to his career making debut. A lot of people hail it as better than the first, with others thinking it's a lackluster squeal to his best film. I personally think it's one of the best follow-ups of all time. The inner 16 year old in me loves the raunchiness, while the 22 year old in me loves the emotion and storytelling. Randall, Dante and Jay and Silent Bob are back for the best movie about working in food service of all time.

Clerks II follows the story of Dante Hicks and Randal Graves (Brian O'Halloran and Jeff Anderson) as they now work at a Mooby's restaurant. They aren't working at Quick Stop and RST Video because one morning Dante finds the store on fire because Randall left the coffee pot on. One year later Dante is planning on leaving his job to move to Florida to run a car-wash with his fiancee Emma Bunting (Jennifer Schwalbach). Randall doesn't like the idea of being left alone once Dante moves. Jay and Silent Bob (Jason Mewes and Kevin Smith) follow the duo and begin hanging out outside of the Mooby's now. Throughout the day, mishaps and misadventures occur between the four and their boss, Becky (Rosario Dawson), and younger employee Elias (Trevor Fehrman). They argue about Lord of the Rings with customers, accidentally say a racial slur in front of customers and get berated by an old friend from high school. It soon becomes clear that, like at Quick Stop, not a lot of works happens during work hours. The day before Dante leaves for Florida is filled with drama, dance numbers and even a Tijuana show that no one is soon to forget. This is truly a day that rivals any they ever had and these clerks never know how to handle things.

Kevin Smith movies, especially the View Askew ones, have a special place in my heart. They're really the first sort-of film series I ever got into. While I have gone back and still think the original is better, as a 16 year old seeing Clerks II for the first time, then going back to watch the other movies, it was a real treat. I recognize that Clerks is a better movie, but that doesn't mean that Clerks II doesn't hold that number two spot in my heart. Gooey gooey, mushy mushy, I know. Deal with it. The story telling and writing in this rival that of Dogma for me. While the characters and situations are fully reminiscent of other favorites such as Clerks and Jay and Silent Bob Strike Back. It's an odd blend of all the movies I like from Kevin Smith, poured into one giant glass of a movie. The story is written pretty well. Someone who has never seen a Kevin Smith movie before, wouldn't be lost watching Clerks II. The dialogue is believable, yet crazy enough to keep you grounded to the fact you're watching a movie. This is a comedy with emotional tendencies after all. Clerks II is full of what a middle aged men who never really "grew up" would say for a laugh. No matter how inappropriate or off color it may be. It appeals with the teenagers watching because they like to be rebellious, while the adults can actually appreciate the references being made. The story is a decent one to boot. Some of the best movies follow the story of something that happens in a day or night. Throw in the fact the characters are a bunch of easy going, carefree, humorous people. You're in for a story you can get into, cause you know how the characters are wound.

Speaking of the characters, they're who you remember them to be after the first movie. Dante is the kinda tightly wound guy that stuff just doesn't tend to go right for. Randal is the say anything guy, who just wants to make a living with is best friend. While Jay and Silent Bob are still the lovable stoner duo that will say and do anything for a laugh or to entertain themselves. Throw in the religious kid who has a lot of trouble with things outside of his religion and the new boss who may have inadvertently changed the course of of Dante and Randal's lives going forward.  The casting was great as well. The original four are exactly as you remember them. The new additions in Jennifer Schwalbach, Rosario Dawson and Trevor Fehrman all add another dimension to the daily interactions. While cameos from people like Ben Affleck, Wanda Sykes, Ethan Suplee and Jason Lee are welcome bits parts for some of the slower parts of the movie. The filming style is alright. The high points being driving along the suburban highways, autumn leaf covered roads and the pull out shot of Mooby's during the giants cast scene. But with the bulk of the movie happening in Mooby's itself it doesn't often lend  fantastic cinematic filming. I just love the music all around, not much more to say than that. The humor is very raunchy, but if you like any, or are even familiar of Smith's other work this should come as no surprise. I've always thought of Kevin Smith as a lite version of Quentin Tarantino. This movie is no different. Dialogue riddled with philosophy-esque questions, debates on topics of morality, drama, movies, and pop culture among other topics. They will not only have you laughing, but thinking and forming your own thoughts on what's being said.

Clerks II is my favorite Kevin Smith movie from the 2000s. Clerks is my favorite Kevin Smith movie from the 1990s. This bodes well for Clerks III presumably coming out in the 2010s. This movie completely updates the production value of the first film. It keeps the charm while adding new characters and keeping the charm of the ones returning. I never get tired of watching the Clerks franchise and Clerks II is just as good as the first. Kevin Smith has cemented himself as one of my favorite directors of all time and Clerks II is up there as one of my favorites of all time to boot.


Monday, February 25, 2013

Fat Jesus's 85th Annual Academy Awards Recap


Well the 85th Annual Academy Awards in the books, it was an exciting night for movie fans everywhere. Questions were answered and awards were given as Seth MacFarlane hosted the biggest night in film. The show was pretty solid and a decent hosting job was done by Seth. His sometimes "edgy" jokes and one-liners about every aspect of Hollywood were pretty good. Of course some jokes did fall flat, but it was a lighthearted night all around. The original songs done by Seth were good as well, with one of the most memorable ones have Seth list out whose boobs we've seen in films over the years.

Speaking of singing there was a ton of it throughout the night. Jennifer Hudson tore down the house while Adele followed suit as she won the Best Original Song Oscar. The cast of Les Miserables did a pretty solid performance of one of their songs from the movie as did Catherine Zeta Jones with her song from Chicago. Also the Goldfinger theme after The 50 Years of Bond tribute was nice. With Barbra Streisand and her nose giving a good performance during the In Memoriam section. The song and numbers were in full force all night, but none of it was bad or out of place.

There were a lot of surprises when it came to winning tonight as well. There was also a lot of predictability. I did a write up and straight up predicted 11 out of the 14 categories I went over correctly. With me getting 13 out of the 14 categories correct in either (or both) "Who I Wanted To Win" and "Who Would Win" predictions. There is only one I got completely wrong ant that was the Best Original Screenplay category. Boy was I glad I did. I wanted Moonrise Kingdom to win but picked Zero Dark Thirty to take it. To my excitement, Quentin Tarantino blew everyone away and took the Oscar for Django Unchained!

Most of the rest of the night went as expected. While many thought Lincoln would take best picture easily, Argo had been considered a contender for months now. So after a rousing introduction by First Lady Michelle Obama, Argo was awarded the Best Picture Oscar. Prompting one of Ben Affleck's finest moments as he gave a great speech accepting the award as star, director and co-producer of Argo. Daniel Day Lewis won the Best Actor Oscar for his leading role in Lincoln. Following the win with one of the best and funniest acceptance speeches of the night. While Jennifer Lawrence won the Best Actress Oscar for her leading role in Silver Linings Playbook and was in a bit of shock as she stumbled on the steps as she went to get her award.

Argo also won the award for Best Adapted Screenplay and it was well deserved as well. Adding onto Argo's accolades. Best Director was a toss up between Ang Lee and Steven Spielberg. In the end Ang Lee added a fourth award to Life of Pi's accolades. There was a tie (yes a tie) in one of the categories with BOTH Skyfall and Zero Dark Thirty winning the Best in Sound Editing Oscar. The Best Animated film category came and gone as Brave beat out Wreck-It Ralph among others to win. With the Best Animated Short Oscar going home with Paperman this year. Finally we come to the last of the "big" awards. The Best Supporting Actress Oscar went to Anne Hathaway for her performance in Les Miserables. She beat out her only other real competition in Amy Adams for The Master. Last but certainly not least Christoph Waltz beat out Tommy Lee Jones' Lincoln performance with his one as Dr. Schultz in Django Unchained. It gives him his second Best Supporting Actor Oscar  from a role in a Quentin Tarantino film.

It was a great night, and I'm highly sick of writing about the Oscars this year haha. I'm already looking forward to the Oscars next year and what the rest of 2013 in film has in store for us. Below I'll be giving you a complete list of winners tonight. So thanks for reading, and I can't wait to write about all this again next year. So until then, this is Fat Jesus saying "Deuces" to the 85th Annual Academy Awards.

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BEST PICTURE
"Argo"

BEST ACTOR
Daniel Day-Lewis for "Lincoln"

BEST ACTRESS
Jennifer Lawrence for "Silver Linings Playbook"

BEST SUPPORTING ACTRESS
Anne Hathaway for "Les Miserables"

BEST SUPPORTING ACTOR
Christoph Waltz for "Django Unchained"

BEST DIRECTOR
Ang Lee for "Life of Pi"

BEST ADAPTED SCREENPLAY
"Argo"

BEST ORIGINAL SCREENPLAY
"Django Unchained"

BEST ANIMATED FILM
"Brave"

BEST FOREIGN LANGUAGE FILM
"Amour"

BEST MUSIC (ORIGINAL SONG)
"Skyfall" from "Skyfall" (Music and Lyric by Adele Adkins and Paul Epworth)

BEST MUSIC (ORIGINAL SCORE)
Mychael Danna for "Life of Pi"

BEST PRODUCTION DESIGN
"Lincoln"

BEST CINEMATOGRAPHY
"Life of Pi"

BEST DOCUMENTARY (FEATURE)
"Searching for Sugar Man"

BEST VISUAL EFFECTS
"Life of Pi"

BEST MAKEUP
"Les Miserables"

BEST COSTUME DESIGN
"Anna Karenina"

BEST FILM EDITING
"Argo"

BEST SOUND EDITING
"Skyfall"
"Zero Dark Thirty"

BEST SOUND MIXING
"Les Miserables"

BEST SHORT FILM (ANIMATED)
"Paperman"

BEST SHORT FILM (LIVE ACTION)
"Curfew"

BEST DOCUMENTARY (SHORT)
"Inocente"

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Friday, February 22, 2013

Argo [A Fat Jesus Movie Review]


I first remember hearing of Argo from seeing the initial theatrical trailer before, I believe it was, The Dark Knight Rises. But don't hold me to that. I only remember being highly intrigued by this great looking trailer sitting there before a movie. I've always liked Ben Affleck, though he does receive a ton of hate from critics and such. Maybe it's because I'm a Kevin Smith fan that I have a soft spot for him. After The Town a couple years ago now, I knew that Affleck could write, direct and produce a damn good movie. The initial viewing I had of Argo was in October and it was just an okay watch for me. Not great, but not terrible either. I decided to go back to it after all this Oscar hype and I can honestly say, that this is a movie (for me) that got better the second time around.

Argo follows the story of Tony Mendez (Ben Affleck) who is assigned to rescue six people in Iran. Riots broke out in November of 1979 and the US embassy is sized by Iranians. They are furious because the US sheltered their recently deposed Shah, who they want to try and execute. But, as stated before, six people; Robert Anders (Tate Donovan), Cora Lijek (Clea DuVall), Mark Lijek (Christopher Denham), Joe Stafford (Scoot McNairy), Kathy Stafford (Kerry Bishé) and Lee Schatz (Rory Cochrane) escape. They are being sheltered at the Canadian Ambassador, Ken Taylor's (Victor Garber), home. The CIA supervisor, Jack O'Donnel (Bryan Cranston), lets Mendez run free with his plan to make a fake movie set in Iran and train the six to "become" Canadian filmmakers. Once they learned their covers, they could presumably fly out of Iran. With the help of Hollywood make-up artist John Chambers (John Goodman) and a veteran movie producer Lester Siegel (Alan Arkin), they acquire everything needed to produce this fake film. Very quickly, the fake film is becoming more real by the day. They have a movie poster, a pinned script named "Argo", along with fake passports and a once in a lifetime plan. Tony Mendez travels into the heart of the enemy to attempt to rescue the six people, before the Iranians get to them first.

I got into this very quickly since I knew what I was expecting so to speak. The story, while embellished in a ton of ways, makes for an exciting story. This is based on a true story, so I'm sure Affleck and the crew took some liberties to make it more exciting for the viewer. There are a few parts, that if you do a little research on, can find out did not really happen, yet fit in the movie so well. The writing, by Chris Terrio, was great. Though he had some good books to adapt his screenplay from in; "The Master of Disguise" and "The Great Escape" by Tony Mendez and Joshua Bearman respectively. Even in the little amount of time, you really do invest in a lot of these characters. Most don't get a lot of screen-time behind Mendez, O'Donnel or Siegel and Chambers, so to be able to invest in everyone is a endeavor I liked. From a dialogue stand point as well this was done great, as the humor between the Hollywood people are great. The urgency between all the US government workers are done well. With the apprehension and fear of the Canadians and hideaways delving you deeper into everyone involved.

This is a two hour movie, that I felt could've been cut down a bit. The opening scene, highlighting briefly the history of Iran did nothing for me. While some of the scenes set with the CIA or the White House could've been cut or at least trimmed down. There were no dragging scenes persay either, more scenes that wouldn't have ruined the movie if they were removed. The cinematography was pretty great at times. Highlighting some of LA's biggest sites and fly-over shots of the city set back in the early 80s was a cool touch. The big thing for me in this is the acting. Ben Affleck has to carry this movie, as Tony Mendez, and he does. When there needs to be humor he rolls with it and when the serious needs to set it, he brings to stoic tone. The roles played by the six stuck in Iran were pretty good too, with standouts for me going to Scoot McNairy, Clea DuVall and Tate Donovan. Those three held the six together and gave the best performances out of them. The supporting roles were great as well. Bryan Cranston never felt out of place, John Goodman is always a good on screen presence and Alan Arkin delivers a fantastic performance as Lester Siegel. The acting is great all around, but when you have six or more people giving an outstanding performance a movie can come together that much more.

Argo is a movie I'm highly glad I went back to and really does deserve to be in the best picture nods this year at the Oscars. Ben Affleck has produced, directed and starred in what now is probably his best film to date. The storytelling is phenomenal and will keep you on the edge of your seat. This movie never makes you worry either. It's a thriller, full of tension and drama (when needed), that a lot of the time is covered in a lighthearted and hopeful tone. The acting is great, while the score, length, cinematography is done well to follow. This is easily one of the top three films of the year, with Django Unchained and Lincoln, if we're looking at strictly nominations. But for me, while it is an exceptional movie, it fails to grab me and convince me it truly is the best movie of 2012.