Showing posts with label Alan Arkin. Show all posts
Showing posts with label Alan Arkin. Show all posts

Wednesday, February 27, 2013

Stand Up Guys [A Fat Jesus Movie Review]


I knew I was gonna watch this a few weeks ago now from the first trailer I saw from it. Christopher Walken, Al Pachino and Alan Arkin are three of the best actors or all time. So getting them together for Stand Up Guys was like an All-Star Game. While not the most enthralling movie, the three give great performances and it's one of the few decent enough movies of 2013 so far.

Stand Up Guys follows the story of Val and his partner Doc (Al Pachino and Christopher Walken). Val has just gotten out of prison after spending the last twenty plus years in there after taking a fall. Doc picks him up from jail under the job tasked to him by Claphands (Mark Margolis) and must kill him immediately. Not wanting to just up and do it just yet, Doc gives Val till the next morning, before he does the deed. From hijacking a car with a kidnapped woman in the trunk, Sylvia (Vanessa Ferlito), to rescuing an old friend, Richard Hirsch (Alan Arkin), from a nursing home, the trio go out on the town. Val takes too many Viagra to sleep with woman at a "whore house" run by Wendy (Lucy Punch) and then has to go to the hospital where Richard's daughter Nina (Juliana Margulies) works. The last night of what Val presumes to be his last night alive, becomes a crazy ride that in which the three do more living than most do in their entire lives. 

Fisher Stevens has done is fair share of acting over the years, and a few directing jobs to boot, but this seemed to be a challenge at times. While a lot of the time the faults fall to a director if the movies is bad, the writers and producers have just as much to do with a movie. Noah Haide wrote a tale of two half movies here. There was a lot of out of place comedy with Pachino in the first half. With the second half settling into a much better action-comedy hybrid involving all three of the leads. That being said, the writing goes along with that thought. The story is pretty good, but it crippled by a ton of early scenes that leave you wondering why they're even there. But once you get past that a nice story with a decent ending occurs. The characters are pretty good I guess, though there's only a few you really can get into. Doc is a lighthearted man that only wants to do right by both his job and friends. While Val is is a man who has just got out of prison and wants to have a good time before his untimely, yet scheduled, demise. With Richard, Wendy, Nina and Alex providing some great, but smaller, supporting and leading characters.

The acting is pretty solid, being lead by the duo of Al Pachino and Christopher Walken, with Walken giving one of my favorite performances. Al Pachnio is soiled by the early goings where he has a lot of weird comedy. As well as scenes where you'd never think you'd see him doing bits. He does pick-up a lot once Vanessa Fertilo, Alan Arkin and Addison Tomlin enter the mix, and the character comes into his own. Christopher Walken carries this movie though as Doc. You see glimpses of true friendship, leadership and emotion poured out in this performance. Scenes with his granddaughter in the diner as well as ones with Richard and Val there are great scenes. Those scenes throughout made this this one viewing I have given it, worth it for me. Alan Arkin comes in and is a great comedic role for the middle part of the movie. With Juliana Margulies playing a good supporting role, a very nice surprise from Addison Tomlin and some decent comedy from Lucy Punch. To round this out the action, when it came to it, was pretty cool. From hand to hand combat and shootouts, to middle of the night car-chases and shake-downs, the action in this isn't just thrown in for no apparent reason. The comedy in this is pretty good too, and when Walken or Arkin hit their strides, it's some laugh out loud stuff.

If this seems like it hasn't been my most inspired looking review, it's cause it's hard to get too excited over a film that doesn't live up to it's potential. I went into Stand Up Guys hoping for a great movie led by the likes of Al Pachino and Christopher Walken. But it ended up being more of a mess that settles into itself. I love crime films and the comedy genre is probably my favorite of all time. But this is a mix of unneeded scenes, with a story that, while good, doesn't really kick in till the middle portion of the movie. Only average direction on the part of Fisher Stevens and lackluster writing (at times) from Noah Haide equates to a movie worth a watch. But not really one good enough if you wanna go revisit it.


Friday, February 22, 2013

Argo [A Fat Jesus Movie Review]


I first remember hearing of Argo from seeing the initial theatrical trailer before, I believe it was, The Dark Knight Rises. But don't hold me to that. I only remember being highly intrigued by this great looking trailer sitting there before a movie. I've always liked Ben Affleck, though he does receive a ton of hate from critics and such. Maybe it's because I'm a Kevin Smith fan that I have a soft spot for him. After The Town a couple years ago now, I knew that Affleck could write, direct and produce a damn good movie. The initial viewing I had of Argo was in October and it was just an okay watch for me. Not great, but not terrible either. I decided to go back to it after all this Oscar hype and I can honestly say, that this is a movie (for me) that got better the second time around.

Argo follows the story of Tony Mendez (Ben Affleck) who is assigned to rescue six people in Iran. Riots broke out in November of 1979 and the US embassy is sized by Iranians. They are furious because the US sheltered their recently deposed Shah, who they want to try and execute. But, as stated before, six people; Robert Anders (Tate Donovan), Cora Lijek (Clea DuVall), Mark Lijek (Christopher Denham), Joe Stafford (Scoot McNairy), Kathy Stafford (Kerry Bishé) and Lee Schatz (Rory Cochrane) escape. They are being sheltered at the Canadian Ambassador, Ken Taylor's (Victor Garber), home. The CIA supervisor, Jack O'Donnel (Bryan Cranston), lets Mendez run free with his plan to make a fake movie set in Iran and train the six to "become" Canadian filmmakers. Once they learned their covers, they could presumably fly out of Iran. With the help of Hollywood make-up artist John Chambers (John Goodman) and a veteran movie producer Lester Siegel (Alan Arkin), they acquire everything needed to produce this fake film. Very quickly, the fake film is becoming more real by the day. They have a movie poster, a pinned script named "Argo", along with fake passports and a once in a lifetime plan. Tony Mendez travels into the heart of the enemy to attempt to rescue the six people, before the Iranians get to them first.

I got into this very quickly since I knew what I was expecting so to speak. The story, while embellished in a ton of ways, makes for an exciting story. This is based on a true story, so I'm sure Affleck and the crew took some liberties to make it more exciting for the viewer. There are a few parts, that if you do a little research on, can find out did not really happen, yet fit in the movie so well. The writing, by Chris Terrio, was great. Though he had some good books to adapt his screenplay from in; "The Master of Disguise" and "The Great Escape" by Tony Mendez and Joshua Bearman respectively. Even in the little amount of time, you really do invest in a lot of these characters. Most don't get a lot of screen-time behind Mendez, O'Donnel or Siegel and Chambers, so to be able to invest in everyone is a endeavor I liked. From a dialogue stand point as well this was done great, as the humor between the Hollywood people are great. The urgency between all the US government workers are done well. With the apprehension and fear of the Canadians and hideaways delving you deeper into everyone involved.

This is a two hour movie, that I felt could've been cut down a bit. The opening scene, highlighting briefly the history of Iran did nothing for me. While some of the scenes set with the CIA or the White House could've been cut or at least trimmed down. There were no dragging scenes persay either, more scenes that wouldn't have ruined the movie if they were removed. The cinematography was pretty great at times. Highlighting some of LA's biggest sites and fly-over shots of the city set back in the early 80s was a cool touch. The big thing for me in this is the acting. Ben Affleck has to carry this movie, as Tony Mendez, and he does. When there needs to be humor he rolls with it and when the serious needs to set it, he brings to stoic tone. The roles played by the six stuck in Iran were pretty good too, with standouts for me going to Scoot McNairy, Clea DuVall and Tate Donovan. Those three held the six together and gave the best performances out of them. The supporting roles were great as well. Bryan Cranston never felt out of place, John Goodman is always a good on screen presence and Alan Arkin delivers a fantastic performance as Lester Siegel. The acting is great all around, but when you have six or more people giving an outstanding performance a movie can come together that much more.

Argo is a movie I'm highly glad I went back to and really does deserve to be in the best picture nods this year at the Oscars. Ben Affleck has produced, directed and starred in what now is probably his best film to date. The storytelling is phenomenal and will keep you on the edge of your seat. This movie never makes you worry either. It's a thriller, full of tension and drama (when needed), that a lot of the time is covered in a lighthearted and hopeful tone. The acting is great, while the score, length, cinematography is done well to follow. This is easily one of the top three films of the year, with Django Unchained and Lincoln, if we're looking at strictly nominations. But for me, while it is an exceptional movie, it fails to grab me and convince me it truly is the best movie of 2012.