Showing posts with label Edward Norton. Show all posts
Showing posts with label Edward Norton. Show all posts

Thursday, February 5, 2015

The Grand Budapest Hotel [A Fat Jesus Quick Hit]


Wes Anderson is a director I want to really delve into at some point. A few years ago I was enamored with 'Moonrise Kingdom' and I've heard great things about 'Fantastic Mr. Fox.' I'd been meaning to actually review this film, 'The Grand Budapest Hotel,' ever since I watched it a few months ago. I was sucked into a colorful, fun and vibrant world. Even if you're unfamiliar with Wes Anderson, 'The Grand Budapest Hotel' would be a good jumping off point, if anyone ever wished to dive in.

'The Grand Budapest Hotel' follows the story of Monsieur Gustave H. and [a young] Zero Moustafa (Ralph Fiennes and Tony Revolori) as they operate as Concierge and lobby boy at The Grand Budapest Hotel in 1932. The tale is told by [an old] Zero Moustafa (F. Murray Abraham) to a young author (Jude Law) who is visiting the hotel long after its heyday. Zero has left his home country, because his family was executed, and wants no part in war, and is the new lobby boy. The Grand Budapest Hotel is thriving in 1932, much due to the fact that it's clientele is wealthy and they all love Gustave. The owner of the hotel is highly secretive and only relays messages through lawyer Deputy Kovacs (Jeff Goldblum). One of the biggest clients is Madame D. (Tilda Swinton), whom Gustave spends a night with before she departs. One night, about a month later, Gustave is informed of Madame D's death and how it is under mysterious circumstances. Gustave, along with Zero, race to the reading of her will, and as it turns out, she left him her most valuable painting, "Boy With Apple." This enrages Madame D's family. Thus begins a series of almost unbelievable events in Gustav and Zero's quest to claim a painting willed to them

This might be the best designed film of the year, as everything in 'The Grand Budapest Hotel' looks astounding. No matter if it's a scene at the hotel itself, at Madame D's estate, traveling through the (fictional) Republic of Zubrowka and even the prison, everything feels authentic. Everything also is colorful, fun and full of life. Even the darker scenes have an air of positive emotion and humor laced into them. The hotel itself becomes as important a character as Gustav and Zero, and that is a testament to the awesome writing. Wes Anderson wrote the screenplay himself. I love it when inanimate things are given a breath of life in film, and that's what Anderson has done with this exquisite hotel. This is taking nothing away from Gustav, Zero (young AND old), Agatha, Kovacs, Dmitri Desgoffe, Inspector Henckels and J.G. Jopling. As each of these characters are expertly done, and have a distinct style that broods off the screen. The acting is also phenomenal, especially the leading duo of Ralph Fiennes and Tony Revolori. The two have a chemistry you can feel as you watch this film and play off each other well. Saoirse Ronan plays Agatha perfectly and stands out in any scene she is in. Especially the more emotional ones with Tony Revolori. While even more support from Adrien Brody, Jeff Goldblum, Willem Defoe, Edward Norton and F. Murray Abraham, make this one of the best ensemble casts of 2014. The humor helps keep everything humming right along as well. This isn't Will Ferrell humor either, it's well thought out and gut-wrenchingly funny at times. The Society of the Crossed Keys introduction is brilliant. This has a lot to do with the well written script, but it's also a testament to the actors themselves. There's truly smart and witty one-liners all over the place, running gags and even some slap-stick humor. The music and score, by Alexandre Desplat, is quite pleasing as the film wears on, and accents the emotional feel of a given scene greatly.

Now there are things that hurt this film for me, but nothing in the long run that would keep anyone from watching it. There are scenes, mostly involving Madam D's extended family that just feel out of place. This film isn't long, only about an hour and forty minutes, but even then, it felt like a two hour film. Trim some of the draggy scenes and you've got a well paced film from start to finish. 'The Grand Budapest Hotel' is a film that will suck you into the most lively and colorful world of 2014...that is set in the 1930s. The acting, style, writing and humor are all top notch. Wes Anderson has made a truly energetic and original comedy that needs not to be overlooked if you're a fan of film.


Wednesday, January 7, 2015

Birdman or (The Unexpected Virtue of Ignorance) [A Fat Jesus Quick Hit]


I'd been waiting a long to time finally get the chance to watch this film. Being hailed as one of the best films of 2014, Alejandro Gonzalez Inarritu has crafted a black comedy, that often feels more a drama at times, that will command your attention for the entire duration. 'Birdman or (The Unexpected Virtue of Ignorance)' is a film in which camera work alone with leave you impressed, but the accompanying performances, led by Michael Keaton, will captivate you until the credits roll.

'Birdman or (The Unexpected Virtue of Ignorance)' follows the story of Riggan Thompson (Michael Keaton), decades earlier he famously played the superhero Birdman. Riggan is tormented by the voice of Birdman in his head and often imagines himself doing feats of telekinesis and levitation. Now he is a washed up actor that is trying to reinvent his career by writing, directing and starring in his own Broadway play. The play is an adaptation of Raymond Carver's short story, 'What We Talk About, When We Talk About Love.' The play is being produced by Riggan's lawyer (and friend), Jake (Zach Galifianakis). While his daughter, Sam (Emma Stone), who recently got out of rehab, serves as his assistant. It stars Riggan's girlfriend, Laura (Andrea Riseborough), a first-time Broadway actress, Lesley (Naomi Watts) and a role that has been severely miscast. Riggan rigs a spotlight to fall on this guys head, replacing him with a highly eccentric method actor, Mike (Edward Norton). Riggan has gone all in, as we follow the tumultuous days leading up to the premiere of his play.

This film is not for everyone and if you're going into this expecting a superhero film, ala the Marvel Cinematic or DC Universe, you're barking up the wrong tree. In fact, it almost seems that 'Birdman' is at times is being critical of the superhero films that have been very dominant lately in Hollywood. With Riggan knowing the amount of fame he can gain from it, he also wants to be remembered for something he perceives to be a more serious venture. Don't get me wrong, I love superhero films, but I can see why actors, and critics alike, can be so hard on films that usually prefer style to substance. This film deals with this issue well, and coming from an actor who played Batman, he conveys everything perfectly. The supporting cast is also fantastic and play off of Keaton, and each other, well. The scenes involving Emma Stone and Edward Norton feel real. The scenes involving Amy Ryan and Stone with Michael Keaton himself are emotional. Norton brings a crazed edge to the cast, while Zach Galifianakis brings a humorous presence to a scene. Round that out with the talents of Naomi Watts and Andrea Riseborough and this complete cast clicks on all cylinders. The way this film is seen is also fantastic. Alejandro Gonzalez Inarritu had the vision of turning 'Birdman' into a film, that had the look of a film, that only took one lone take to make. Each scene, with the aid of editing and some CGI, are blended together effortlessly to look like this film has been shot in one single go. It was a daring way to film this and it worked out brilliantly. It took great writing, a great director and a capable cast, and it was all knocked out of the park. The score also aided to everything happening in the film. The jazz tracks were a welcome addition to a given scene and sounded beautiful. I found myself tapping along a times from the opening credits and being mesmerized by the awesome music throughout.

'Birdman or (The Unexpected Virtue of Ignorance)' is one of the top films of the year and I loved every second of it. From the opening credits jazz sequence, to the closing moments of hope shown, 'Birdman' will grab you and never let go. Michael Keaton turns is an absolutely fantastic performance and the entire supporting cast follows suit. The story is a great one and the score is awesome. Not to mention the filming and camera-work is phenomenal (and downright fun). This film isn't for everyone, but 'Birdman' needs to been seen by anyone who (at the very least) was a fan of the films that were given their due during last years awards season.