Showing posts with label Chris Pine. Show all posts
Showing posts with label Chris Pine. Show all posts

Friday, June 2, 2017

Wonder Woman [A Fat Jesus Film Review]


This is the film that DC Extended Universe needed. They needed a win. "Man of Steel" was average at best. "Batman vs Superman: Dawn of Justice" was a letdown. "Suicide Squad" was an Oscar winning nightmare. So to think that a solo Wonder Woman film--an origins story as well--could be the jolt the DCEU gets, is marvelous. Gal Gadot was pretty good in her considerable on-screen role. Yes, I know she was in Dawn of Justice, but it was a supporting role at best. Chris Pine was also on point as well throughout the film. The supporting cast of Amazonians as well as the WWI infiltration team were all pretty good too. The first half of the film is a sight for sore eyes as we get some color in the DCEU, but alas it was fleeting, because it goes right back to the dark grey pallet for the second half.

"Wonder Woman" is set after the events of "BvS: Dawn of Justice." In present day Paris, Diana Prince / Wonder Woman (Gadot) receives the original copy of the picture of her that Bruce Wayne sends to her in the previous film. Attached to it was a note saying that Bruce would love to hear her story sometime. This is when we fade back to the WWI-era to the island of Themyscira. Wonder Woman, then known as only Diana, was born and raised here. The island is inhabited by only Amazonians. After Ares corrupted mankind and killed the other gods, women were given this island with some of Zeus' last strength, to keep them away from man's evil corruption. Diana only wants to be a warrior, but her mother, Queen Hippolyta (Connie Nielsen), forbids it. Eventually Hippolyta knows she cannot anymore. Years later, after a sparring session in which Diana exhibits a feat of strength that marvels the rest of the Amazonians, she goes off to be with her thoughts and a plane crashes into the coast in front of where she is. Diana proceeds to rescue the pilot Steve Trevor (Pine). He is running from Germans, who find the protected island and attack one of the beaches. During the skirmish, the Amazonians take casualties and take Steve into custody. Using the Lasso of Truth they find out about the Germans, that World War I is happening and Trevor has a key piece of intel that could help end it. Diana decides that it's her duty to help end this war and--against her mother's wishes--leaves with Trevor to help end the violence. Once in Europe, Diana and Steve set out to try and turn the tides of the war in Germany. Because an evil is lurking just on the outside, waiting to end the truce that is being formed and keep the war from ending.

This film works because of Gal Gadot's portrayal of the innocent, yet committed, Diana. Chris Pine is also instrumental, because he give yet another good performance. Almost any character he portrays, he does it in an extremely efficient manner. But, back to Gal Gadot. I'll be honest, I didn't have a huge amount of faith in her. I still think she doesn't quite look the part. She doesn't look like the bigger and buffer Wonder Woman we're used to seeing. Even worse I thought her part in BvS: Dawn of Justice was only okay. I wasn't sure she could carry a solo film. Gal Gadot is emotion in a popcorn flick genre with this performance. Don't get me wrong, I still think a lot of the MCU is much better--or at least on par--with Wonder Woman. But, Gadot as Diana in this film go where a lot of superhero films don't, to emotions. She's sad to leave her homeland and feel genuine pain for all that's happening in the war. Once she gets to Europe she wants to help everyone and everything. She wants to end the was an beat Ares, but she also wants to help literally everyone along the way. Her overall innocence and her ignorance to the real world, provided emotion, a bit of humor and fueled conflict as well. Diana is a decently written character in which a good performance by Gadot elevates it overall. Switching sides we get Chris Pine as Steve Trevor, the English spy that Diana saves near the start of the film. Pine has got great timing and does a great job of trying to help Diana learn the ropes in the world she's been dropped into. Most of the humorous happenings in the film, occur when the two are at odds about real world vs Themyscira. But it doesn't end at humor, the two have pretty solid chemistry and the serious, more emotional and action filled scenes between the two work well. There are a lot of small moments in the film where you get that tag team inkling. That being, knowing someone well enough that you could just look at them and know what was going to happen. Steve Trevor isn't new, he's a grizzled spy/war veteran that just wants to do one final bit of good in his life, when a woman hit him out of nowhere and helps him get there. Another example of a decently--but cliche-ridden--character, elevated by the performance of the actor.

The rest of the cast is portrayed well, though are pretty forgettable in all honestly. The Amazonians felt stiff, but it may be because they're essentially gruff and tough Greeks war goddesses, still thriving in their own society. Robin Wright and Connie Nielsen were okay as the mother and aunt of Diana in the early going. On the other end, the WWI dream team were considerably more fun, but if you asked me where Eugene Brave Rock entered as Chief for the first time, I couldn't tell you. Ewen Bremner and Saïd Taghmaoui, as a drunk sharpshooter and master of disguise respectively, were both fun roles that stood out in the second half of a film that dragged badly at times. Steve Trevor's secretary, Etta Candy (Lucy Davis) was probably the most fun and memorable of the bunch. Bringing some solid comedic moments to the early going. The directing was okay as Patty Jenkins is already leagues ahead of Zack Snyder's DCEU films. So that's pretty cool. We just need to get Snyder's name of DCEU stuff completely now. The plot was typical superhero origin story, though it did have a bit of a plot twist sprinkled in, as well as a decent enough love story. I was afraid it would feel too much like "Captain America: The First Avenger," so I'm glad that the story took on a different approach. The bad guys overall were pretty weak, like in most superhero films. An angel dust snorting German commander (Danny Hudson), a face-wrecked mad scientist inventing Mustard Gas (Elena Anaya) and an old man masquerading as Ares (David Thewlis). All were underwhelming, though like the rest of the non-Gadot or Pine characters acted decently enough. Overall the plot was fairly standard, the story took on a life of it's own while the supporting cast did well, but were mostly forgettable.

With all the good, this film does have a lot of problems. The CGI near the end of the film in the final action sequences was just plain bad. While the rest of the CGI throughout the film was adequate at best. While I wasn't expecting it to be as good as "Guardians of the Galaxy Vol. 2" or "Doctor Strange," it shows that it's nowhere near that quality. The action is pretty forgettable aside from the town rescue scene which is probably has the best action in the film. The beach fight near the beginning of the film was pretty fun as well. But, if you're going to have a two plus hour superhero film you don't want only two points of action to stand out. Another problem is right there, the length. This is a long film and while the first act is pretty good, the second act and finale devolve back into typical DCEU as of late. It's just too long and the middle portion leading to the climax drags a lot. This devolving includes going from beautiful vibrant island colors to dark tones for the rest of the runtime. DC hates color. There's an overabundance of slow motion as well. I noted that about three minutes into the film slo-mo was already happening. Not only that, the shaky cam whenever the Nazi commander did his drugs was unintentionally hilarious. Also the Wonder Woman song--you know the song--that was interjected during random action points, felt forced rather than just using some sort of score piece. There was a lot of confusing moments during the climax as well, both in the story and CGI where I simply didn't know what was going on. Maybe a second watch will clear some things up for me. DC also needs to use title cards to tell us where we're jumping to as well. Though this movie isn't as confusing as "BvS: Dawn of Justice," there's a lot of places they travel to and throwing up a "Germany, 19xx" for a few seconds wouldn't hurt at all. Finally the ending monologue form Wonder Woman before the credits roll was pretty cliche-ridden as well and not hugely needed. Especially after that walk though the crowd to touch Trevor's picture and the current day holding of his watch moments before. DC has made a stride with this but there's still a lot of things that it could do much better.

"Wonder Woman" is no joke, it's a competent enough DECU film (arguably the best thus far) that gives DC the cinematic jolt it hasn't really had since Nolan's Batman films. You just read about it's plethora of problems above, but the overall supporting cast and characters were solid if not forgettable. The writing and story have some emotion behind them and did their own thing, even though it's pretty cliche and confusing at times. Finally, Gal Gadot and Chris Pine have fantastic chemistry and the duo give us entertaining, humorous and emotional performances."Wonder Woman" isn't the second coming of superhero films, there's just too many problems for me too look past, but it's a fairly entertaining film that worth a watch or two.


Saturday, January 7, 2017

Hell or High Water [A Fat Jesus Film Review]


Ahhh 2017. Donald Trump is going to be president. MTV is racist. Buzzfeed is still prevalent for some reason. 2016 was so bad nothing could possibly go wrong in 2017. So, for my first review of the year, before things inevitably hit us like a meteor hitting the planet, I had to do it on "Hell or High Water." One of the best western crime dramas in recent memory, Jeff Bridges, Chris Pine and Ben Foster, anchor a drama filled heist-spree that never goes over the top. Jeff Bridges proves he still has fantastic acting chops, while the relationship between Chris Pine and Ben Foster is as authentic as you'll see in a film from last year.

"Hell or High Water" follows the story of two brothers living in West Texas, Toby and Tanner Howard (Pine and Foster). Toby is divorced, while his brother is an ex-con. Tanner, being a wild-card, often frustrates Toby. They knock off a few Texas Midlands banks one morning. This draws the attention of Texas Rangers and Marcus Hamilton (Bridges) and his partner Alberto Parker (Gil Birmingham) are put on the case. Marcus is closing in on retirement and teases his partner about being half Mexican and Indian. Two brothers and two Texas rangers then engage in a game of cat and mouse, with nothing but the rural lands of Texas as their backdrop.

The grit, realness, and authenticity are what makes this film work. There's action, but it's not overly done. There gun fights and car chases, but they're not over-done. The story doesn't bring much new to the table, older lawman figuring out the plan of two younger criminals. What it does do, is make the characters relatable and grounded in reality. It gives us great cinematography of West Texas small towns landscapes. Just about every aspect of "Hell or High Water," aside from the cliched plot outline, is refreshing and adrenaline inducing.

This starts with the performances from the leads. Ben Foster, as Tanner Howard, is a firecracker. He's the most high-energy person in the film and brings the most intensity to every scene he's in.  The brotherly exchanges with Pine, especially the scene in the casino and the second bank robbery, were awesome. You watch him slowly devolve throughout the film up until his climax. Chris Pine, as Toby Howard, is the smarter and more calm and collected of the two brothers. He's the brains behind the bank robberies working, for the most part. He's also the more established character. We find out about his family life, divorce and plans for after this spree. The scene mid-way through the film, where he wails on the guy at the gas station, as well as the climax of the film, are contrasting scenes that show the range of his character. Finally, Jeff Bridges, as Marcus Hamilton, is the anchor of the film and proves that his acting ability is still there. Hamilton reminded me of Tommy Lee Jones' character in "No Country For Old Men." The cliched retirement angle is prevalent, but the humor, knowledge and rapport with his partner Alberto Parker (Birmingham) is perfect. A slightly racist, wise-cracking, smarter than the bad guys and completely bad-ass Texas Ranger, going out on his own terms was a pleasure to watch. The whole last act and climax of the film saw Bridges at his finest.

The overall acting is what sets the tone, lets us fully enjoy the phenomenal cinematography and the well done action. The small town shots, the small town people and the sweeping shots of landscapes drove the point home that this area of West Texas was not as well off as other places in the US. This is not a bright film, a lot of it takes place during the day, but the film gives off a dusty badlands color vibe. The car chases weren't full of unnecessary explosions. The bank robberies, with the exception of the last one they do, are smaller and intimate. There are gun fights, but they're sensible for the most part. There's some gore, but it's used for shock value and finality. Everything that supports the acting--the story, action, colors, tones--is crisp and keeps you invested until the credits roll.

"Hell or High Water" is probably the best crime film of 2016. "The Nice Guys" is the opposite of this in almost every single way, not that that's a bad thing either. It's about going to extreme heights, with the characters, acting, dialogue and plot (which is wholly original), combining to make a fun film. "Hell or High Water" goes for the more realistic approach. The acting is what resonated with me much more than in "The Nice Guys." It's a western that's light on the western, but taps into its essence when it's needed. Pine, Foster and Bridges give astounding performances in a film that people should give a watch.


Sunday, December 14, 2014

Horrible Bosses 2 [A Fat Jesus Film Review]


'Horrible Bosses' was released in 2011. It and '21 Jump Street' were two of my favorite comedies of the year, and now in 2014 we've gotten sequels to both. '22 Jump Street' was a helluva good sequel and I was really looking toward 'Horrible Bosses 2.' The trio of Jason Bateman, Charlie Day and Jason Sudeikis were a treat in the first film, and I was really excited to watch them get the gang back together. 'Horrible Bosses 2' doesn't have quite the same magic as 'Horrible Bosses.' But unlike what you're probably reading on Rotten Tomatoes or other critics sites, this was hardly a bad film.

'Horrible Bosses 2' follows the story of Nick Hendricks, Dale Arbus, and Kurt Buckman (Jason Bateman, Charlie Day and Jason Sudeikis) after the events of the first film. They have decided to start their own business, making a car wash inspired shower head, "The Shower Buddy." They have trouble finding investors until Burt Hanson (Chistoph Waltz) and his son Rex (Chris Pine), approach him. They admire their work ethic and drive to keep production in America. They offer the trio an investment if they can produce 100,000 units. Nick, Dale and Kurt take out a business loan, rent a warehouse, hire workers and make the units they need. Burt and Rex back out of the deal and plan to seize their inventory in foreclosure, leaving the three $500,000 in debt. The company is about to go under and the trio is in trouble, so they go to Nick's old boss Dave Harken (Kevin Spacey) for advice. He tells them they have no legal recourse, leading to the three coming up with a plan to kidnap Rex and hold him for ransom. They then go back to "Motherf**ker" Jones (Jamie Foxx) and ask his advice on how to kidnap someone. He tells them the best way is to kidnap them and keep them knocked out for the duration. Nick, Dale and Kurt then decide to steal nitrous oxide from Dale's old boss Julia's (Jennifer Aniston) dentist's office. The plan is in place and everything is a go, as these three argumentative friends decide to try their hand at kidnapping and extortion this time around.

'Horrible Bosses 2' is a step down from the first film in a lot of ways. The chemistry between Jason Bateman, Charlie Day and Jason Sudeikis is still fantastic. The three are a joy to watch and the 'It's Always Sunny in Philadelphia' style of almost over the top "yelling" comedy pleases me greatly. The one liners, misinterpretations, pop culture references and general buffoonery of the three is simply astounding to behold. The supporting cast is still fun too. Jamie Foxx, Kevin Spacey and Jennifer Aniston all reprise their roles from the previous film and do well. Though Spacey's character, Dave Harkin, might have been a stretch to bring back, I'll never oppose to Spacey being in a film. The "newcomers" to this, I guess you could call it, ensemble cast, Christoph Waltz and Chris Pine do a fine job, Pine more than Waltz, mostly due to screen time. Chris Pine's character has now effectively lost his mind in two filmss in 2014 (this and 'Stretch') and I have loved him in both roles. The film is side-splittingly funny at times. There's a rapid fire amount of jokes and lines, so you may not like or catch everything, but there is quite a few laughs to be had. Things take a turn once you get past the acting and general humor of the film. The story is pretty iffy at best and it really does feel like a haphazard way of cashing in on the surprise that was the first film. 'Horrible Bosses' had a certain charm about it, while this didn't have that special feeling to it. While the humor at times is hilarious, there's a lot of recycled stuff from the first film littered throughout. Some of it works, while other times it felt like they threw it in just to reference the first film. You could argue that this film, like '22 Jump Street,' are two of the more self aware comedies in recent memory. So referencing themselves is one way to get a laugh or keep a bit going. Both in '22 Jump Street,' and this, the callbacks to the first film were hit and miss as well and sometimes just felt really lazily done. The amount of action in this is actually surprising, as the first film kept it to a minimum, and they did alright with it. The chase scenes were fine and even the 'Oceans 11'-like planning scene was a cool touch. The music and score are alright, as with big comedies like these you've come to expect top pop tracks and popular rock to be heard spanning throughout. The overall look of the film is better too. They've expanded to a wider range of shots and locations that showcases California pretty decently. 

If you're looking for a comedy to go see over winter break, 'Horrible Bosses 2' is for you, IF you're a fan of the first film. If you didn't like the first film, the second installment isn't going to win you over. It's admittedly a step down from it's predecessor, but fans of the first film (or ones that can get into this one) will fall in love with the bickering and idiocy of the three leads again. The chemistry between Jason Bateman, Charlie Day and Jason Sudeikis is reason enough to give this comedy a chance. The laughs are fewer, but there, and this film is pretty solid overall. Critics are really hitting this film hard, but if you're in the mood to go turn your brain off for a few hours and laugh, then 'Horrible Bosses 2' may be for you.